getHPinfo - what's that site running?
The Domain debbyfriday.bandcamp.com is hosted in United States and is using nginx as serversoftware.
Search for similar domains, which are still free to register.
Advertisement
Geo-Informations | ||
| Latitude | 37.7697 | |
| Longtitude | -122.3933 | |
| Country | United States | |
How did debbyfriday.bandcamp.com look in the past via web.archive.org
| First seen | 12.02.2023 02:16:19 | |
| Reg-Created | 01.01.1978 | |
| Reg-Expire | 01.01.1978 | |
| Domainname | debbyfriday.bandcamp.com | |
| Root-Domain | bandcamp.com (more) | |
| Serversoftware | nginx (more) | |
| external Links on landingpage | 0 | |
| Description | DEBBY FRIDAY GOOD LUCK. GOOD LUCK, releases 24 March 2023 1. GOOD LUCK 2. SO HARD TO TELL 3. I GOT IT (FEAT. UÃAS) 4. HOT LOVE 5. HEARTBREAKERRR 6. WHAT A MAN 7. SAFE 8. LET U DOWN 9. PLUTO BABY 10. WAKE UP The usual boom-and-bust cycles of growing up -- breaking down, gathering the strength to get up, fumbling hard, doing it all over again - can feel unmooring, to say the least, but, and according to DEBBY FRIDAY, its tragedies and glories need savoring. Losing illusions, gaining expectations; getting deep into the private, soupy kaleidoscope of whatâs possible and whatâs futile -- GOOD LUCK, her debut, and supernovic, full-length album, is built on welcoming the journeyâs complicated drops and mountain highs with something more like grace. Nigerian-born, then an emigré to bits of Canada - from Montreal to Vancouver to Toronto - DEBBY FRIDAYâs roamings through space and time really began when the sun fell. Nightlife was her emancipation from the toughness of home life, and she fell into it, body and soul, totally seduced. Raves til sunrise; house music in unknown basements and warehouses -- the lure of the party was the perfect escape. âI was like a little club rat,â she laughs. Her adoration of the world that it opened for her came in âalmost in a sensual way.â Things that feel good sometimes do fall apart, though. In 2017, after DJing for less than a year, her life just sort of imploded. Parties started getting less functional. Nothing was going the way that she wanted it to go. So she gathered her things and embarked on what would turn out to be the first of a few of her coming-of-age stories -- a wave of bildungsromans. âPersonal issues: mental health stuff, substance abuse stuff, stupid love;â she lists, but the way DEBBY says it, it seems as if sheâs grateful for the valleys she had to walk through in order to see the version of herself we get today. After making the decision to stop herself in her tracks, she pulverized new paths for herself forward. Late-night YouTube tutorials on music production led to an EP, BITCHPUNK, and BITCHPUNK led to her first public performances, and all that gave way to a second EP, DEATH DRIVE. Her art endowed her with the strength she needed to move on. âThis is what I was born to do,â she goes. âIt came to me so naturally and instinctively. I felt just so clear, focused, and in my power in a way that Iâd never felt before up until that point.â So what does it take to hone that power? Discipline - routines, rituals; an MFA, practices of writing and filmmaking, and music-making that guide a person from one day to the next - but something close to mysticism, too. DEBBYâS serious, long-term relationships to the study of astrology, psychology, and philosophy allow her to move through the world, relate to others, and get closer to whatâs inside her. She believes in what emerges. She believes in making the unconscious, conscious. She wants to be in dialogue with the darkness. Itâs why GOOD LUCK works like such a study in entropy. On the surface, youâll hear hints of Santigoldâs dub dazzle, the MIDI-crush of Death Grips, but less obviously the plaintiveness of directors like Eric Rohmer, or the grotesque decadence of later-era Sylvia Plath. (Juno Award and Polaris Prize-nominated composer Graham Walsh adds a sort of heft and pull to the genre-flexibility on parade here: think of it a little like Sevdaliza meets FKA Twigs.) Few do it like her, though. If lucid, acid housey, high-BPM tracks like âI GOT ITâ - accompanied by Chris Vargas of Pelada / Uñas - has her cocksure and vainglorious about her âbig ol egoâ and âred blood libido,â a crushing track like âLET U DOWNâ (âI been your Brutus, your Judas / Iâve been so wrecked and so ruthlessâ) doesnât hesitate to explore the lower ends of the emotional register. Sheâs drawn to certain keys and moods (the brooding D and F minors, for instance, are all over this album) to suggest melancholia and darkness. However, the lead single, âSO HARD TO TELL,â sees FRIDAY totally shed all of her signature industrial tropes, to deliver a completely out-of-pocket, yet totally assured, falsetto pop song. Sounding like little that has come before in her catalog, this track is a crucial signifier in FRIDAYâS essential development. The album GOOD LUCK is being co-released with a short film of the same name, co-directed by FRIDAY and Nathan De Paz Habib (past work includes Eroica, based on Chino Amobi's novel of the same name). Itâs a story of individuation. Itâs a love story about a woman and her masked beloved, but outside of the accompanying-but-stand-alone visual, itâs all a willing, yearning investigation into what goes on behind the veil of sadness, of cruelty. Because knowing the darkness is the only way to understand the light, but also the greys and the blues and the in-between states. FRIDAYâs explorations in GOOD LUCK -- delving down into the muck of nuance - are a kind of courage. | |
| Keywords | this site has no keywords | |
| IP-Adresses |
151.101.130.132 (more) (US) 151.101.66.132 (more) (US) 151.101.194.132 (more) (US) 151.101.2.132 (more) (US) | |
Headerinformations | ||
| Cache-Control | no-cache, no-store | |
| Connection | close | |
| Via | 1.1 varnish | |
| Accept-Ranges | bytes | |
| Server | nginx | |
| Vary | Accept-Encoding, Accept-Encoding | |
| Content-Type | text/html; charset=UTF-8 | |
| Content-Security-Policy | base-uri 'none'; object-src 'none'; report-uri https://bandcamp.com/api/cspreport/1/violation; script-src http: https: 'nonce-rSDHNxfXrckhZnqIAWJVHQ==' 'report-sample' 'strict-dynamic' | |
| Referrer-Policy | no-referrer-when-downgrade | |
| X-Cache | MISS | |
| X-Cache-Hits | 0 | |
| X-Meta-Apple-Mobile-Web-App-Capable | yes | |
| X-Meta-Bc-Page-Properties | {"item_type":"a","item_id":2728190145,"tralbum_page_version":0} | |
| X-Meta-Generator | Bandcamp | |
| X-Meta-Medium | video | |
| X-Meta-Msapplication-TileColor | #603cba | |
| X-Meta-Robots | max-image-preview:large | |
| X-Meta-Theme-Color | #ffffff | |
| X-Meta-Video-Height | 120 | |
| X-Meta-Video-Type | application/x-shockwave-flash | |
| X-Meta-Video-Width | 400 | |
| X-Served-By | cache-hhn-etou8220022-HHN | |
| X-Timer | S1680012708.319996,VS0,VE579 | |
DNS-Informations | ||
| Rootdomain-DNS-Server |
ns-cloud-d3.googledomains.com (more) ns-cloud-d4.googledomains.com (more) ns-cloud-d1.googledomains.com (more) ns-cloud-d2.googledomains.com (more) | |
Miscellaneous | ||
| last update | 12.02.2023 02:20:26 | |
| Illegal data? | Report illegal data >HERE< | |
| getHPinfo.com dissociates itself from any content on the website debbyfriday.bandcamp.com. The content is the sole responsibility of the operator. getHPinfo.com has no influence on the content of debbyfriday.bandcamp.com. getHPinfo.com only shows publicly freely accessible data here. | ||
Please donate us!
BTC: 31k8JV8xnpCw1RmyxBjuJJ8dmq8KjfmgTm
ETH: 0xf645e11d0eb2c86143b71ce30ec7aec3f7a31a7e
LTC: M8sU5Vj4HGW6FEkgKg1aTfjk8QS5HfDkAk