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Geo-Informations | ||
| Latitude | 37.7697 | |
| Longtitude | -122.3933 | |
| Country | United States | |
How did wildup.bandcamp.com look in the past via web.archive.org
| First seen | 19.11.2021 06:04:09 | |
| Reg-Created | 11.06.2003 | |
| Reg-Expire | 02.01.2025 | |
| Domainname | wildup.bandcamp.com | |
| Root-Domain | bandcamp.com (more) | |
| Serversoftware | nginx (more) | |
| external Links on landingpage | 0 | |
| Description | Wild Up Called âa raucous, grungy, irresistibly exuberant ⦠fun-loving, exceptionally virtuosic familyâ by Zachary Woolfe of the New York Times, Wild Up has been lauded as one of classical musicâs most exciting groups by virtually every significant institution and critic within earshot. Julius Eastman Vol. 1: Femenine, released 18 June 2021 1. Prime 2. Unison 3. Create New Pattern 4. Hold And Return 5. All Changing 6. Increase 7. Eb 8. Be Thou My Vision / Mao Melodies 9. Can Melt 10. Pianist Will Interrupt Must Return Out now, Los Angeles-based musical collective, Julius Eastman Vol. 1: Femenine is the opening entry in Wild Upâs multi-volume anthology celebrating Eastman, the late composer whose amalgamated musical vision was repeatedly dismissed during its day, but is now being unearthed to critical acclaim. Championed by The New York Times for their âboisterously theatrical sensibility,â Wild Up slowly comes alive inside this recording of âFemenine,â the epitome of Eastmanâs longform âorganic musicââwhere phrases live inside of phrases, multiple layers ebbing and flowing with the passage of time. Within âFemenine,â Eastman, whose music The New Yorker hailed as âbrazen and brilliant,â evolves material based on a two-note, 13-beat âprimeâ melodyâa cosmic clamoring of bells. Simultaneously static and active, âFemenineâ lulls listeners into musical reverie. Eastman was young, gay, and Black at a time when it was even more difficult to be young, gay, and Black. He swerved through academia, discos, Europe, Carnegie Hall, and the downtown experimental music scene. And in 1990, at age 49, Eastman died in Buffalo, New York, less than a decade after the New York City Sheriffâs Department threw most of his scores, belongings, and ephemera into the East Village snow. In Wild Upâs unique 70-minute interpretation of Eastmanâs open score, the ensemble is challenged to work in dialogue with the composerâs own creative impulses; in doing so, the band channels his individualistic spirit, augmenting âFemenineâ with strategically placed solosâindividual cantor-like proclamations. The recorded performance reflects a blend of strict adherence to Eastmanâs specific instructions with an embrace of individual and collective decision-making within the ensemble, a continuous three-way conversation between Eastman, the individual members of Wild Up, and the group as a whole. This album represents a departure for New Amsterdam Records, which until this point has exclusively released new music by active, living composers. Eastman is a special case, a composer whose music shines like a retroactive beacon to todayâs musical creators. Any term used to characterize todayâs musical landscapeââgenre fluidâ or the likeâwas anticipated by Eastman decades before; yet he was punished for being ahead of his time, both in the treatment of his music and, tragically, his person. Eastmanâs music flowed freely fromâand throughâhis myriad influences, and was terribly served by the musical infrastructure of his day. (At the time of his death, it took some eight months for a newspaperâany newspaperâto run his obituary). It makes sense, then, for âFemenineâ to arrive on New Amsterdam Recordsâa sort of loving backwards embrace of a musical forefather to 21st century composers. Eastman sometimes gifted copies of his musical scores. Now, over three decades since his death, his work is being regifted by those whose lives he touched. For Wild Up, to play Eastmanâs music is to feel they are in, of, and visiting his world at the same time. Though the band worked with scrupulous care to realize this project, part of the joy of performing it is accepting that Julius Eastman's precise intentions for this elusive score will always remain something of a mysteryâjust a little out of reach. Still, in the frenzied ecstasy of performing his work, Wild Up feels a little more alive, a little more connected, a little more free, and by embarking on this anthology, they endeavor to carry this freedom forward. | |
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| last update | 19.11.2021 06:10:14 | |
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